Sargon II 057

Obverse
Fragment AFragment A
(Frgm._A)
Frgm._A 11

[...] x [(x)] x x [...]

(Frgm._A 1) No translation possible.

Frgm._A 22

[...] x [(x)] x [...]

Fragment BFragment B
(Frgm._B)
Frgm._B 11

[...] IM ḪA x ÁŠ? MA [...]1

(Frgm._B 1) [...] ... [... the city] Ḫarḫar ... [...]

Frgm._B 22

[... URU].ḫar-ḫar* mu-si-[...]2

Fragment CFragment C
(Frgm._C)
Frgm._C 11

[...] d?a-šur MAN dan?-nu? [...]

(Frgm._C 1) [...] the god Aššur, strong king [...] land Hamath [...]

Frgm._C 22

[...] (x) KUR.a-ma-at-ti [...]

Fragment DFragment D
(Frgm._D)
Frgm._D 11

É.GAL m[LUGAL-GIN ...]

(Frgm._D 1) Palace of [Sargon (II) ...] favorite of the [great] god[s ...]

Frgm._D 22

mi-gir DINGIR.[MEŠ GAL.MEŠ ...]

Fragment EFragment E
(Frgm._E)
Frgm._E 11

[...]-ti-ia [...]

(Frgm._E 1) [...] my [...] ... [...]

Frgm._E 22

[...] x E SI [...]

Fragment FFragment F
(Frgm._F)
Frgm._F 11

[...] i-na qer-bi x [...]

(Frgm._F 1) [...] inside [...] upon [...]

Frgm._F 22

[...] ḪA UGU [...]

Fragment GFragment G
(Frgm._G)
Frgm._G 11

[...] x AB? x [...]

(Frgm._G 1) No translation possible.

Frgm._G 22

[...] x SI IḪ [...]

Fragment HFragment H
(Frgm._H)
Frgm._H 11

[...] SA A x [...]

(Frgm._H 1) [...] ... [...] the land Ma... [...]

Frgm._H 22

[...] KUR.ma-x [...]

Fragment IFragment I
(Frgm._I)
Frgm._I 11

[...] x ? [...]

(Frgm._I 1) No translation possible.

Fragment JFragment J
(Frgm._J)
Frgm._J 11

[...] mLUGAL-GIN? [...]

(Frgm._J 1) [...] Sarg[on ...]

Fragment KFragment K
(Frgm._K)
Frgm._K 11

[...] re- [(...)]

(Frgm._K 1) [...] head [...] ... [(...)]

Frgm._K 22

[...] x IM/ʾu [(...)]

Fragment LFragment L
(Frgm._L)
Frgm._L 11

[...] ḪI [...]

(Frgm._L 1) No translation possible.

Fragment MFragment M
(Frgm._M)
Frgm._M 11

[...] x LUGAL x [...]3

(Frgm._M 1) [...] king [...]

1Possibly im-ḫa-ṣu?-ma, “they smote and.”

2-ḫar*: Copy by P.E. Botta has -ḪI-PA. Ḫarḫar appears as an epigraph on a wall relief from Room II of Sargon’s palace at Khorsabad (text no. 23).

3The trace after LUGAL would fit KAL or dan-[nu], among various other possibilities.


Created by Grant Frame and the Royal Inscriptions of the Neo-Assyrian Period (RINAP) Project, 2019. Adapted for RINAP Online by Joshua Jeffers and Jamie Novotny and lemmatized by Giulia Lentini, Nathan Morello, and Jamie Novotny, 2019, for the Alexander von Humboldt Foundation-funded OIMEA Project at the Historisches Seminar - Abteilung Alte Geschichte of Ludwig-Maximilians-Universität München. The annotated edition is released under the Creative Commons Attribution Share-Alike license 3.0.